1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market. Related Paintings of Raja Ravi Varma :. | Dissapointing News | Mrs. Ramanadha Rao | The suckling child | Dhruv Narayan | Krishnaraja Wadiyar IV and Rana Prathap Kumari of Kathiawar | Related Artists:
Heinrich Martin Krabbepainted Young Lady in 19th/20th century
Adam Pijnacker15 February 1622, Schiedam - buried 28 March 1673, Amsterdam ) was a Dutch Golden Age painter, mostly of landscapes.
Pynacker was the son of a wine merchant, who was a member of the vroedschap, or city regency. He travelled to Italy and was gone for three years. In 1658 he converted to Catholicism in order to marry Eva Maria de Geest, Wybrand de Geest's daughter. In that year his portrait was painted by his father-in-law. In Schiedam he baptized two children, but from 1661 until he died, he lived on the Rozengracht in Amsterdam.
Pierre-Henri de Valenciennes (December 6, 1750 - February 16, 1819) was a French painter.
Valenciennes worked in Rome from 1778 to 1782, where he made a number of landscape studies directly from nature, sometimes painting the same set of trees or house at different times of day.He theorized on this idea in Advice to a Student on Painting, Particularly on Landscape (1800), developing a concept of a "landscape portrait" in which the artist paints a landscape directly while looking upon it, taking care to capture its particular details.Although he spoke of this as a type of painting mainly of interest to "amateurs", as distinguished from the higher art of the academies, he found it of great interest, and of his own works the surviving landscape portraits have been the most noted by later commentators. He in particular urged artists to capture the distinctive details of a scene's architecture, dress, agriculture, and so on, in order to give the landscape a sense of belonging to a specific place; in this he probably influenced other French artists active in Italy who took an anthropological approach to painting rural areas and customs, such as Hubert Robert, Pierre-Athanase Chauvin and Achille-Etna Michallon.
